The World of Industry & Labor in Victorian English Novels

The portrayal of the consequences to participation of forces that reshaped society itself appears to have been a prominent avenue of expression. Because the commercial character of that society was an inescapable fact, and because the consequences were visited on the new middle class, the lower-middle-class itself was the subject of much Victorian fiction. In the work of Charlotte Bronte, which is of cut through to say in Jane Eyre, the attributes of the social character that emerged from the Industrial whirling have an overlay of Romanticism.

There is a depth of chaff of character and action in a number of demon's novels. The dreams of victory that Dickens deals-with are sometimes tinged with humor, as in the causal agency of David Copperfield's Mr. Micawber, who is always waiting for something to turn up, and with a deep and flagitious irony, as in the case of Richard in Bleak House. along with the impulse toward material success, the impulse toward social reform of conditions that the value of material success have created can be discerned in Dickens's work. The appalling social inequities exacerbated by the Industrial Revolution, the rise of the bourgeoisie, and the wide influence of rationalist utilitarianism as a mode of brawny endure during the Victorian period are doubtless particular to the pattern of Dickens's novelistic ideas. The intrinsic

"I am sure, sir, I should never mistake informality for impudence: one I rather like, the other nothing free-born would lease to, even for a salary."

Baldridge, Cates. "The Instabilities of Inheritance in Oliver Twist." Studies in the newfangled 25.2 (Summer 1993) 184-95.

[I]t is a matter of some surprise to me, even now, that I can have been so easily thrown international at such an age. A child of excellent abilities..... it seems grand to me that nobody should have made any sign in my behalf. But none was made, and I became, at ten days old, a little labouring hind in the redevelopment of Murdstone and Grinby It was a crazy old house with a wharf of its own literally overrun with rats The deep remembrance of the sense.

I had of being utterly without hope now, of the shame I matte up in my position, of the misery it was to my young heart to believe that day-by-day what I had learned . . . would pass away from me, little-by-little, never to be brought covering fire any more, cannot be written (Dickens, David Copperfield 161-3).

Dickens's widely known experiences as a youngster in a London workhouse return fodder for the starkly drawn black-andwhite extremity of David's mess in the workhouse and at Blunderstone after his mother dies. The scandal of David's experience at Murdstone and Grinby's and child abuse in general could merely be portrayed convincingly were it not for the firsthand noesis Dickens brings to the enterprise of describing the workhouse environment. What happens to David provides Dickens the opportunity to discuss in fictional form the social problems plaguing contemporaneous England that have a provenance in the industrial subculture. Dickens excoriates, first, conditions of the house itself and secondly, the trunk that allows children to be indentured at their parents' whim.

Eliot, George. Daniel Deronda. New York: Signet/New American

Mankowitz, Wolf. Dickens of London. New York: Macmillan, 1977.

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